BEGIN:VCALENDAR
VERSION:2.0
X-WR-CALNAME;VALUE=TEXT:Stone Inequality & Social Policy Seminar: Ashley Mears
PRODID:-//Harvard events data//EN
BEGIN:VEVENT
UID:event_1663417_0
SUMMARY:Stone Inequality & Social Policy Seminar: Ashley Mears
DESCRIPTION:<h3>	<span><span>The End of Creative Labor in Platform Capitalism: An Ethnography of Elite Content Creators</span></span></h3><p>	<strong><span style="color:#202020">Ashley Mears</span><span style="color:#202020">, </span></strong><em><span style="color:#202020">Professor of Sociology, Boston University</span></em><br><br><span style="color:#202020">Abstract: </span> <span style='NewRoman";mso-bidi-theme-font:minor-bidi;mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA'>This project examines how workers game algorithms at the top of the highly unequal creator economy on social media platforms.<span style="mso-spacerun:yes">  </span>I draw from an ethnographic case of high-performing content creators who produce videos engineered to go viral on Facebook and SnapChat.<span style="mso-spacerun:yes">  </span>Their content often challenges their own artistic sensibilities, a puzzle I explain by combining social studies of technology and labor theory to develop a model of algorithmically-driven creative labor.<span style="mso-spacerun:yes">  </span>Drawing from 18 months of ethnography and interviews with 60 viral creators, I show how creators interact with algorithms which discipline them into distinct practices of harnessing human attention in five steps.<span style="mso-spacerun:yes">  </span>First, creators learn to subjugate their own tastes to data; second, they adapt to algorithm changes; third, they simplify stories into visual, often stereotypically sexualized and racialized imagery; fourth, they copy what works; fifth, they experience thrills of the game of scoring metrics.<span style="mso-spacerun:yes">  </span>Ultimately, they fuse their standards of quality with what they think platform algorithms will reward.<span style="mso-spacerun:yes">  </span>By documenting this labor process – from alienation, adaptation, simplification, replication, and gamification – I arrive at a theory of algorithms as performative in cultural production, a process which yields subpar outcomes in the form of inauthentic content.<span style="mso-spacerun:yes">  </span>This study of the winners in the “winner-take-all” attention economy reveals how platforms are able to redefine the social worth of cultural goods, thus aligning platforms’ interests for attention-grabbing content with creators’ interests in being at the top of a hierarchy based on metrics</span><span>.</span><br><br><span style="color:#202020"><strong>Ashley Mears</strong></span><span style="color:#202020"> is </span> a Professor of Sociology at Boston University. <span style="'Lato','Arial';13pt;font-style:normal;font-weight:normal;text-decoration:normal;vertical-align:baseline;">Working primarily at the intersections of economic</span><span style="13pt;vertical-align:baseline;"> and </span><span style="'Lato','Arial';13pt;font-style:normal;font-weight:normal;text-decoration:normal;vertical-align:baseline;">cultural sociology and gender, Mears studies how societies value people and things. </span><span style="13pt;vertical-align:baseline;">Mears researches value and exchange in the context of labor, beauty, free stuff, elites, consumption, and social media, and she has written on theory and</span><span style="'Lato','Arial';13pt;font-style:normal;font-weight:normal;text-decoration:normal;vertical-align:baseline;"> qualitative methods. </span><span style="'Lato','Arial';13pt;font-style:normal;font-weight:normal;text-decoration:normal;vertical-align:baseline;">Mears received her BA in sociology from the University of Georgia in 2002, </span><span style="13pt;vertical-align:baseline;">and her PhD in sociology</span><span style="'Lato','Arial';13pt;font-style:normal;font-weight:normal;text-decoration:normal;vertical-align:baseline;"> at New York University </span><span style="13pt;vertical-align:baseline;">in</span><span style="'Lato','Arial';13pt;font-style:normal;font-weight:normal;text-decoration:normal;vertical-align:baseline;"> 2009. She has </span><span style="13pt;vertical-align:baseline;">held visiting positions at the University of Amsterdam and the Central European University in Budapest. In 2021-22, she was a</span><span style="13pt;font-variant:normal;vertical-align:baseline;"> Fellow at the Institute for Advanced Study in Budapest.</span><span style="13pt;vertical-align:baseline;"> </span><span style="13pt;vertical-align:baseline;">She serves on the editorial boards of </span><span style="13pt;vertical-align:baseline;"><em>American Sociological Review</em></span><span style="13pt;vertical-align:baseline;"> and </span><span style="13pt;vertical-align:baseline;"><em>Qualitative Sociology</em></span><span style="color:#202020">.</span></p>
LOCATION:Allison Dining Room
STATUS:CONFIRMED
DTSTART:20230403T160000Z
DTEND:20230403T171500Z
END:VEVENT
END:VCALENDAR